22nd Aug2012

Comic Book Review: The Great Unknown #1

by Jeremy

banner for Small Batch Comics

If you follow along here, or on one of the social media sites I’m on, you will know that in addition to covering the mainstream, I also like new and independent media. When I find something new that I think is interesting, I turn around and introduce it to my readers, because that’s what I do. This short comic anthology from Small Batch Comics is a great example of this. As they state in their introduction from Jonathan Duran, the note from the editor Hardstein, and the guest column from Chris Roberson (yes this Chris Roberson of Monkey Brain Comics) the comic book industry is following the trend of other art mediums with regards to creator-centric rights, methods of delivery and payment. Roberson even goes on to explain the Creator’s Bill of Rights (originally drafted in 1988 by Scott McCloud).

Small Batch Comics is a home for first time comic book writers and artists, and this collection of seven short comics, showcases the pros and inevitable cons that go with that refreshing kind of naïvety and freedom.

The topics of the stories run the full spectrum with sci-fi, space adventure, suspense, horror, absurdism and fantasy. The styles of art do as well, from the traditional comic book fare in Engine Whispers (art by Alex Dunn, story by Dylan Faraday) to monochrome in GODDAMNIT! (art and story by Hardstein), with strange and witty fake advertisements (by Tudor Morris) interspersed.

My only criticism is the kind of stuff that I would expect from new creators. If this were in a mainstream comic house, a good story might be rejected because of less than perfect art, or good art ignored because a story needed a little more editing. I’m also going to pick on one story in particular, because it is my favorite in this collection, and I think the art and writing are wonderful and it’s one of my favorite types of stories. In Darren Hupke and Vincent Tang’s A 12 Minute Revolution in Just Reading, the outline font clashes strangely with the black and white art of the comic. As I said, I’m picking a bit, but only because I’m so impressed with the rest of the comics quality (besides, if I liked everything, how much fun would that be?).

Small Batch Comics’ The Great Unknown #1 is available now for free, online here, and will be available in physical form at a later date. You should definitely give them a chance, the stories are fun, strange, and worth your time and effort. If you like them, you should share them with a friend, like I’m doing with all of you.

If you liked these indie comics, or know of some others that I should review, leave a comment or get a hold of me through Facebook, Twitter and now Google+.


25th Jul2012

Movie Review: The Dark Knight Rises

by Jeremy

Movie Poster for the Dark Knight Rises

Normally I don’t include spoilers in my reviews, because I write the reviews to give people an idea of why they would or wouldn’t want to watch the movie. In this case, my thoughts on the movie have a lot to do with the plot, theme and characters, so…

THERE ARE SPOILERS, BEWARE!

It has taken me some time to get all of my thoughts on this movie into a post. I am a huge Batman fan. Huge. Comic books, movies, video games, tv shows, I’ve seen it all. I have always loved Batman because even though he was human, he’s always stood shoulder to shoulder with gods. He’s the symbol of physical and mental (and financial) human perfection. So, when I say that I wanted to love this movie, believe that I was ready to fan-boy out for it. I went to the Batman Movie Marathon at my local theater and enjoyed seeing the earlier Nolan-Batman movies again on the big screen. I enjoyed spending my time in between the movies correcting the people who said things like: “Nolan said there would be lots of Batmen in this one”, or “in the comics Bane is friends with Poison Ivy”. Please never let me hear you say that again, you’re confusing the Schumacher Batman & Robin with the comics and I can’t just stand here and let you do that. Maybe watching the new movie right after The Dark Knight was a horrible idea. That movie still stands as the best Batman movie ever, in my opinion. While I didn’t love The Dark Knight Rises, there were plenty of parts I liked, enough to make me want to see it again.

Let’s start with what I did like: the characters. Not just how they were written for this movie, but as they relate to their comic book counter parts. Nolan did another great job of taking fantasy characters, and sculpting them into nearly believable reality. Bane is a great example. Sure, they could have had him on an “experimental drug” and CGI’d him into a big cartoon monster. Instead they just took a massive Tom Hardy and had him be so much more than masked muscle.  In fact I feel like we only ever noticed how huge he was, when we were directed to by well placed camera angles, or shots of him without much of a shirt on. In the comic books, Bane was the perfect anti-Batman, born in a prison (see what they did there), he was both a strategic mastermind as well as a powerhouse. He wore down Batman mentally and physically before finally breaking his back over his knee. An iconic scene we were allowed to witness in the The Dark Knight Returns. 

Marion Cotillard’s Talia was another dead-on adaptation from the comic books. She was correct parts intelligent and deadly. She pulled the strings in the background, only revealing herself for what she was, when she stepped up and stabbed her enemy in the back. If you’ll remember, this is Ra’s Al Ghul’s advice in Batman Begins.

I remember an interview after Batman Begins came out, in which Christopher Nolan swears he would never have a Robin in his Batman movies. I believe there was a similar statement from Christian Bale, somewhere along the lines of never wanting to be in a Batman movie with a Robin. Well, I am glad they changed their minds. Joseph Gordon Levitt did a wonderful job as Jon Blake. A lot of people have called him an amalgam of the Robins from the comic books, I don’t totally see that. Dick Grayson (the original Robin) was a Gotham City Police Officer for a while after he grew up. Tim Drake (third Robin) was the Robin that figured out who Batman was, all on his own, when he was only a kid. For this movie, whatever his name was, he was the perfect sidekick for Batman. He helped out when he could and he helped Batman gain some perspective. At the end, he even “re-discovered” the Batcave, allowing for a chance to tell new stories with a new Batman (Newsarama talks about that more here). They did such a good job of making me believe that Jon Blake was Batman’s sidekick, when we find out that his real first name is Robin, it’s as though Nolan is sitting beside me at the theater, poking me in the side saying: “He’s Robin, get it? Get it? Do ya get it?”

Yes I got it, we all got it.

I’m so glad that he didn’t do the same thing with Anne Hathaway’s Selina Kyle. Another nearly “purrfect” adaptation. Nolan made her a sympathetic character in the same way the comic books portray her. A thief who reluctantly does the right thing. Even when she’s trying to be a greedy burglar, Catwoman is often committing crimes to help someone. In the case of the movie she’s trying for a clean slate, not a completely altruistic goal, but in the end she comes through and proves she’s not just in it for the money. Anne Hathaway also proves she wasn’t just thrown into this movie for star power, but because she can play a believable Batman/Bruce Wayne love interest. Maybe if her life isn’t completely straightened out, we could get her in a proper Catwoman spin-off movie. Speaking of characters with depth, Gary Oldman’s Commissioner Gordon is second only to Batman when it comes to character development. Just as we’ve seen Bruce Wayne grow into the man he was meant to become, so have we seen James Gordon rise from Sargent to Leiutenant, then finally Commissioner. Gordon has always been us, the reader, the audience, the viewer. We’re just normal people, we want to do what is right, but we don’t have the power or the means, just the will. When we discover that he is upset with living the lie about what has really happened with Harvey Dent and Batman, it just solidifies his humanity. Who wouldn’t be unhappy with the circumstances? However, by the end of the movie he no longer seems to be weighed down with that guilt. It is as though when Bane read his speech aloud to Gotham City, he no longer felt burdened by it. Which is all fine and good, but I don’t think it offered the same kind of closure for the audience.

Batman. Christian Bale turns in his last performance as Bruce Wayne, and I just wasn’t feeling it. Batman is not a quitter. Of course, if what is best for Gotham City is to not have a Batman, then he would step down. But, the comic book Bruce Wayne would never stop training, never stop preparing for that day when his city might need him once again. He also wouldn’t need to be convinced when it was time to come back. In the comic books, Bruce Wayne (almost) always knows what is best for Gotham. That’s one of the biggest differences between the comic and Nolan-movie versions of Batman. In the movies, Bruce was always striving for a world that didn’t need him anymore. He has to be, it makes him more human, and makes way for a happy ending that he will never get in the continuous world of the comic books.

Finally, let’s look at where I really had trouble loving this movie. It is based in a time that is extremely similar to our current time. The economy is so bad, even Wayne Enterprises is losing money. Police Commissioner Gordon (and all of Gotham City) is living a lie, but they trek forward in content ignorance. Yet underneath this happiness, there is such discontent, that a man is able to raise an army of poor and disenfranchised, (dare I say blue-collar?) with promises of a city they control. Not run by greedy corporations, “Wallstreet” or politics; that they feel do not represent them. Hitting a little close to home yet? Sound a little like a certain crowd that wanted to “occupy” something? When this man’s plan finally comes together, the horribly mistreated rich, corporate heads, and other establishment figures are saved by Batman.

Wait? What?!?

Whose side am I supposed to be on? Just to make sure that we know who the bad guy is, Nolan gives Bane a nuclear ‘weapon’. Also, try not to think about the fact that the bomb is made out of an idealist, renewable, free energy source that would put Big Oil and Coal out of business. In the end, the status quo is retained, Batman rides off into the sunset AND gets the girl. Maybe that ending made you forget that Batman just spent two hours appearing to champion the wrong people. I am not saying let’s get a militia together, or that I hate rich people, or trying to be too political in anyway. Maybe, Nolan is being much more tongue-in-cheek than we realized. Maybe, his opinion is justice doesn’t care about poverty: if you stole because your family was starving. Maybe he’s saying that justice is black and white.

I’ve been told by many people to “lighten up”. But the themes still sit wrong with me. This movie wasn’t written in a vacuum. Christopher Nolan is aware of the political and economic climate. This moved may have worked better in the 1980′s and early 1990′s when change was not talked about, asked for, and protested in the name of, on a daily basis.

I plan on seeing the movie again, sometime this week. The fight scenes delivered and I loved hearing Bane’s crazy, almost comical voice. Maybe, after another viewing I can not take some things so seriously. This is just a movie, after all. Do you think I’m overreacting? Reading way too much into it? Or do you agree? Let me know in the comments below (or hit me up on Twitter), I’d really love to discuss this, especially if I missed something that would help me enjoy this movie more, the next time I view it.

07th May2012

Movie Review: Marvel’s The Avengers

by Jeremy

Marvel's The Avengers poster

 

Finally, one of the big two gets their super team on the big screen. Marvel won the race, and may have set the bar so high, that no one (I’m looking at you DC) will be able to replicate the success. They managed to get (mostly) all their big names on board and then back it up with the a star director/writer. I guess it didn’t hurt them at all that the hype for an Avengers movie started about four years ago after the credits of the first Iron Man movie.

My experience with The Avengers movie was an interesting one. I am lucky enough to live near a theater that ran the all day Marvel Movie Marathon. I got to catch up on all the other Avengers’ origin movies, then see The Avengers at midnight. It was a fun social experiment if nothing else. I swear the theater didn’t turn on the air conditioning until half way through the 14.5 hour day. Imagine approximately 100 geeks, sitting around all day, eating pizza, nacho’s, popcorn and hamburgers. There was a certain odor. I noticed. No one else said anything, but I noticed. In between the movies we had 15 minutes to go empty bladders, refill extra-large collectible cups, inhale nicotine, and argue about all the things that people like us argue about when no one else is paying attention. I witnessed a heated discussion between people about whether vibranium was a completely inert element, and whether or not it would actually be a good material to make Captain America’s shield out of.

On to my opinion of the Avengers movie, don’t worry, it’s spoiler free. Basically it is everyone’s wet-dream of a summer blockbuster movie. The movie follows the tried and true three acts to perfection, it doesn’t take very long to jump into the action, and it doesn’t really stop until the end. We already knew that all the actor’s, besides Mark Ruffalo, could play their parts and Joss Whedon’s script let them(maybe even enhanced it). If you are a fan of Whedon’s previous stuff (Buffy the Vampire Slayer, Firefly/Serenity) then you know the kind of humor and depth he brings to his characters. He gives them the little human flaws that make you identify with them so strongly, that their struggles and victories become yours. Another thing that won’t come as a surprise to you, is how strongly he writes his female characters. Johansson’s Black Widow is clearly an equal to her male teammates. Finally (my last testament to how great Whedon did with this film), this is the best that the Incredible Hulk/Bruce Banner has ever been written. Sorry, Ed Norton, but instead of a love story (like your Hulk movie) this film’s Hulk was just dealing with “Hey, if I’m not careful, I change into a huge monster and destroy everything”. And, he did it right.

So yes, it may have literally had it all. Action, quotable lines, a little humor, and of course, the post credit teasers. Stay until the very end, it’s worth it.

I know I’m not the only one who went and saw it, so tell me what you think. If there is someone out there who saw it and was not completely enamored, please leave a comment, I’d be very interested to hear why… because I’m a fanboy, and I sometimes overlook things.

 

04th Dec2011

Movie Review: The Muppets

by Doug

One of my favorite types of comedy is what I lovingly call “Stupid Comedy”. I thought I started appreciating it when I came-of-age to watch (and understand some of) Mel Brooks’ movies. But after watching “The Muppets” with my five-year-old son, I realized it was probably formed even earlier than I assumed.

I was pleasantly surprised how much I was gripped by this movie. It was like watching Serenity after already seeing every episode of Firefly. I knew and loved each character already. I was waiting with eager anticipation for my favorite non-main characters to show up. I was holding my breath for the “muh-num-a-nuh” song to start at some point, so that my son could have the experience of having it stuck in his head like I always did when I was young. There were moments when those, not-really-all-that-funny jokes were told, but the entire theater burst into laughter. At first I didn’t know why I was laughing, then I discovered we were just excited to have this wholesome group of numbskulls back. The most memorable parts for me, were when they would break the fourth wall and make a commentary on the plot development.

I guess it is time for me to find “The Muppet Show” on DVD and allow the fullness of these beautiful fuzzy people back into my family. And if you haven’t already, be sure to check out their recent youtube activity:

04th Dec2011

Christmas Album Review: A Very She & Him Christmas

by Doug

Ever since that wonderful bathroom scene in “Elf” (our family’s favorite Christmas movie), I’ve been waiting for this album to arrive. Although “Baby, It’s Cold Outside” is on there, it is a different arrangement than the movie (which makes sense, I just enjoy the movie’s version so very much) where M. Ward does lead vocals leaving Zooey Deschanel to do backup/echo. Deschanel does lead a majority of the songs, with her amazing voice that makes you think “Yeah, I guess I could like classic music…” All-in-all I like its indie, almost old-time country inspiration. They do a fantastic job keeping their timeless feel without losing their unique easy-going sound.

DISCLAIMER: If Zooey Deschanel just sang “Twinkle Twinkle Little Star” on every track of this album I’d probably have an equally excited review. That doesn’t mean it isn’t good (it really is good), just that I think she’s swell, and I’m befuddled by her in every way! And if by some crazy, once-in-a-lifetime chance she reads this, even if this album sucked huge balls, I wouldn’t say it because I just want to be friends with her.